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Why Disney’s “Frozen” Is a Bad Movie

I simply wrapped up the famous Disney film, “Solidified”, for the subsequent time. The promotion encompassing the film was disagreeable and everybody was stating that, “‘Frozen’ is perhaps the best film ever.” Watching it my first time around, it wasn’t extraordinary; the bar was set pretty high and my desires didn’t get together to the truth of the film. In any case, after my subsequent time watching it, it has hardened in my cerebrum that this film is one of the most noticeably awful Disney has ever delivered. Visit – ฉากหนังตลก

 

There’s really an amusing history encompassing this film. Walt Disney needed to make this film right in 1943. “Solidified” should be Disney’s transformation of the famous fantasy, “The Snow Queen”, composed by Hans Christian Anderson (Get it? Hans, Kristoff, Anna, Sven. Great job, Disney). “The Snow Queen” really has, what might be Elsa, as the scalawag. They concluded they couldn’t make the film during the 40s since they couldn’t figure out how to adjust it to a cutting edge crowd. They attempted again in the last part of the 1990s, yet the venture was rejected when one of the head artists on the undertaking, Glen Keane, quit. In 2010, they rejected it again in light of the fact that they actually couldn’t figure out how to make the story work. At that point, in 2011, they at last settled on making Anna the more youthful sister of the Snow Queen, which was sufficient for them to make “Solidified”.

 

“Solidified” was coordinated by Chris Buck (known for “Tarzan”) and Jennifer Lee (known for “Wreck-it-Ralph”). The bar was set pretty high for me seeing as both those films were well over the norms of a “child’s film”. The story would have been much the same as the fantasy, however at that point, Christophe Beck made the hit melody, “Released it”. The creation group went insane; rather than attempting to fit the tune into the film, they changed the whole plot and Elsa’s whole character to fit the melody. I have never known about a whole film being changed to fit one tune. Along these lines, it’s outrightly clear that nobody could settle on anything in this film. Since Elsa isn’t the enemy, there truly was no genuine underhanded power. The Duke of Weaselton is raised to be the scoundrel before all else when he states, “Open those doors so I may open your mysteries and endeavor your wealth. Did I say that for all to hear?” Why would you like to open the privileged insights and endeavor their wealth?

 

The Duke has definitely no improvement to where he doesn’t have a name. He scarcely even gets screen time. So on the off chance that he isn’t the reprobate, who is? Indeed, over the most recent 15 minutes of the film, Anna’s life partner, Prince Hans, is raised to be the miscreant, expressing he needs to administer a realm and he can’t due to his 12 different siblings. This emerges from totally no place. There were no clues, no shrewd looks, no sidebars or talks, nothing. He even gives out covers and hot soup to each individual in the realm of Airendale. Sovereign Hans even says, he will secure Airendale in light of the fact that Anna left him in control and “won’t stop for a second to shield Airendale from treachery” when the Duke states he needs to dominate. I can’t stand it when they get so sluggish as to simply toss in a scalawag at the most recent couple of minutes since they couldn’t really raise a genuine scoundrel. Sovereign Hans expresses that he needed to dominate and he planned to slaughter Elsa and this other poop, however Elsa was going to be executed and he spared her life. For what reason would he spare her life on the off chance that he needed her dead? None of it seemed well and good and it incensed me the whole film.

 

Solidified reuses movement and character models from their past hit, “Tangled”. The primary characters, Elsa and Anna, utilize a similar careful model as Rapunzel from “Tangled”. This debate has been tremendous around the web, calling Disney “sluggish” and the such. Actually, I approved of this. Disney is known for reusing activitys (which can be seen here). Despite the fact that it was truly odd that Elsa and Anna had a similar precise face and body structure and the main contrast between them were the spots and their hair, it didn’t trouble me to an extreme. Be that as it may, during the crowning liturgy scene, Elsa says to Anna, “You look delightful.” Pretty unexpected in the event that you ask me.

 

The film begins with Elsa and Anna playing along with Elsa’s ice enchantment. It’s charming from the outset, yet then Elsa strikes Anna in her mind and they need to “defrost the ice” or something like that. So they request that the savages recuperate her and they wipe Anna’s recollections of Elsa having enchantment. At that point, they lock the stronghold entryways so nobody can actually observe Elsa and lock Elsa